Stephanie Chang (she/they) is a poet, editor, author, art historian, and scholar from Vancouver, Canada.
Her writing has been published in The Adroit Journal, Frontier Poetry, Strange Horizons, The Rumpus, The Offing, Waxwing, Peach Mag, Wildness, Penn Review, and others. She is the author of Saintless (Sunset Press 2022) and NIGHT MARKET IN TECHNICOLOR (Ghost City Press 2020). Stephanie is the Editor-in-Chief of The OROTONE Journal.
Her poem, "Lotus Flower Kingdom", earned a Special Mention in the 2023 Pushcart Prize Anthology, won the 2021 Adroit Prize for Poetry, and was selected for inclusion in the 2023 Best of the Net Anthology. Additionally, she has been recognized by the Scholastic Art & Writing Awards, Poetry Society of the UK, Anthony Quinn Foundation, League of Canadian Poets, Hollins University, and Patricia Grodd Poetry Prize.
She is pursuing a BA in Art History (Honors) and English at Kenyon College, where she received the $60,000 S. Georgia Nugent Award in Creative Writing and Academy of American Poets College Prize. Her research paper, "Collapsing the Colors of Identity in Jennie Jieun Lee's Queen Bee", is forthcoming from Verdigris: Smith College’s Undergraduate Art & Art History Journal.
Stephanie is a proud daughter of immigrants and first-generation college student.